Large fallen tree trunk repurposed as material for a Calvin Brett public art installation

Fallen tree material sourced for a Calvin Brett site-responsive commission

Large-scale assemblage for interiors, exhibitions, and site-responsive commissions.

Let’s make the space impossible to forget.

Collaborate on artwork with presence:
existing works for placement, commissioned pieces shaped to a site, and exhibition-scale installations.

Start a project

For interior designers, architects, art consultants, galleries, museums, and curatorial teams.

Choose the path that fits the project.

01 — Available work

Available woven assemblage panels by Calvin Brett installed in a gallery corner

Woven wall panels by Calvin Brett, available for placement

Review current large-scale pieces with the practical information needed to assess a placement: dimensions, materials, orientation, and installation requirements

View available work.

02 — Site-responsive commission

Site-responsive installation by Calvin Brett for Perkins and Will, suspended sculptural fragments in a corporate lobby

Site-responsive commission for Perkins and Will by Calvin Brett

Develop a new assemblage around the scale, sight lines, rhythm, and constraints of a specific interior or exhibition space — without reducing the work to décor.

Discuss a commission

03 — Exhibition collaboration

Work with galleries, curators, and institutions on ambitious presentations, from spatial planning and interpretive context to installation coordination.

View installations

The right work starts with the right context.

Commercial & hospitality

Textured mixed-material assemblage sculpture by Calvin Brett for a commercial interior

Commercial interior installation by Calvin Brett

Statement placements for lobbies, offices, hospitality spaces, and client-facing environments.

Cultural & institutional

Cardboard installation interior by Calvin Brett for Jason Earl Lorde's The Ministry of Cardboard

Some of my Contribution to Jason Earl Lorde’s The Ministry of Cardboard 2026

Exhibitions, acquisitions, and spatial interventions developed in dialogue with curatorial teams.

Public & civic

Chalk mural flower pattern street art installation by Calvin Brett

Chalk mural, flower pattern design

Site-conscious work shaped around public circulation, viewing distance, access, and installation needs.

Clear from first look to final install.

Every project has different constraints. The process stays direct enough for design teams and flexible enough for curatorial work.

01 — Context

Share the site, desired scale, timeline, budget parameters, and what the work needs to do in the space.

02 — Direction

Review available work or define a commission path with visual references, material considerations, and practical constraints.

03 — Development

Align on scope and checkpoints. For commissioned work, decisions are documented as the piece takes shape.

04 — Placement

Coordinate delivery, installation requirements, final documentation, and any team handoff needed on site.

Bring the room. Bring the constraints.

A useful first conversation does not need a polished brief. A floor plan, wall elevation, site photo, or even a clear description is enough to establish whether there is a fit.

HELPFUL TO INCLUDE

  • Project type and location

  • Available dimensions

  • Target timeline

  • Budget range

  • Plans or site images

For professional inquiries

I work with interior designers, architects, art consultants, galleries, museums, and curatorial teams seeking existing work, commissioned pieces, or exhibition-scale installations.

For available work, I can provide dimensions, materials, orientation, installation requirements, and current availability. Commission scope, pricing, lead time, delivery, and installation are quoted for each project.

If your firm uses a trade structure or requires vendor documentation, include that in your inquiry so we can address it at the outset.

Frequently asked questions

  • Yes. Send the project type, approximate dimensions, location, timeline, and budget range. I can then share relevant available work with dimensions, materials, and installation information.

  • Yes. Commissions begin with the site, scale, timeline, budget parameters, and the role the work needs to play in the space. From there, we can determine whether the project is a strong fit.

  • Existing works are unique and are not resized or reproduced. A new commission can respond to the scale and conditions of a site while remaining a distinct work.

  • Lead time depends on scale, materials, review requirements, and installation logistics. Share your target date in the first inquiry so feasibility can be assessed early.

  • Yes. I welcome conversations about exhibitions, acquisitions, commissioned work, and site-responsive installations.

  • Delivery, mounting, site access, and installation responsibilities are defined for each project before the work is confirmed.

Large-scale moth-shaped land art installation on a rocky hillside by Calvin Brett

Land art installation, moth motif set into the hillside

Start a conversation.

Send what you know about the space, scale, timeline, and budget. Plans, elevations, and site images are welcome.